Selected Work
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Old is M Night Shyamalan at his best: ambitious, abrasive and surprisingly poignant
The Guardian
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Hitting Rock Bottom in ‘The Smashing Machine’
Rough Cut
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‘The Final Reckoning’ is an Unwieldy yet Fascinating Star Text
Rough Cut
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Small Screen TV Capsule Reviews (‘Masters of the Air’, ‘Sugar’, ‘Presumed Innocent’, ‘The Boys S4’, ‘Before’ & ‘Duster’)
The Big Issue
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Woman in uniform: Jamie Lee Curtis plays a troubled, morally murky cop in Blue Steel
The Guardian
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Honour Among Thieves (Interview with actors Wagner Moura and Brian Tyree Henry from ‘Dope Thief’)
The Big Issue
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Feature: The Elephant in the Room
Talents Press
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Review: Reflection in a Dead Diamond
Talents Press
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Déjà Vu: Denzel Washington and Tony Scott’s massively underrated techno-thriller
The Guardian
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Monstrous Creations: 70 Years of Godzilla
Rough Cut
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Great Adaptations (Interview with actor Jin Ha from ‘Pachinko’)
The Big Issue
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The Familiar Thrum of ‘The Bikeriders’
Rough Cut
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Red Eye: Wes Craven’s flight from hell is piloted brilliantly from start to end
The Guardian
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Steven Soderbergh’s Solaris remake puzzled audiences 20 years ago – but it deserves a second chance
The Guardian
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Wild Things: this 90s erotic thriller is smarter than you may remember
The Guardian
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Why I Love Kevin Conroy’s performance in Batman: Mask of the Phantasm
Little White Lies
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The Counsellor: Ridley Scott’s crime thriller is packed with A-listers – and worth a second look
The Guardian
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Following the Money: Robert Connolly on The Bank and the Australian Film Industry
MIFF Revue
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Time for Reflection: Master Gardener and the Late-style Transformation of Paul Schrader
MIFF Revue
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Stoker at 10: Park Chan-wook’s Hitchcockian Fairytale
Little White Lies
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California Dreamin’: ‘Ambulance’ and Michael Bay’s American Exodus
Film Cred
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How Ang Lee’s The Ice Storm stays warm 25 years later
Little White Lies